A civilization dating back over five thousand continuous
years naturally tends to have a greater awareness of and
emotional connection to its history than newer lands. The
average American student would be hard pressed to identify the
Magna Carta or even the country's fifth president, while his
Chinese counterpart can tick off the names, dates, and
accomplishments of each dynasty with casual familiarity.
China
is a land with a long historical memory, sharpened by the
indignation of invasions and occupations over a long, painful
century beginning with the British in 1842 and ending with the
departure of the Japanese after World War II. The memory of
China's past weakness and the desire to now stand up strong in
the world accounts for the level of interest in the three
bronze animal heads from the Old Summer Place (Yuanmingyuan)
in northwestern Beijing, on display this month in Shanghai.
The Old Summer Palace, a mish-mash of French Baroque and
traditional Chinese styles, was constructed during the Qing
Dynasty, with much of the design contributed by Jesuit
missionary Giuseppe Castiglione. The three heads, a tiger, a
cow, and a monkey, were part of a fountain in front of
Haiyantang, a mansion built in 1760. The fountain featured the
twelve animals of the Chinese zodiac, their heads attached to
robed, cross-legged human bodies, and water would spew out of
the mouth of each for two hours daily.
In 1860, as part of reprisals for alleged Chinese treaty
violations during the second Opium War, Anglo-French forces
sacked Yuanmingyuan, burning to the ground most of what they
didn't haul away home or smash outright, and leaving the
picturesque ruins that remain today.
Cut
forward 140 years to this spring. Three of the bronze heads
from the Yuanmingyuan fountain come into the possession of
Sotheby's and Christie's auction houses in Hong Kong, which
planned to put them up for sale. They little expected the
furor that would arise, as protestors stormed the auction
houses and Chinese around the world decried the thought of
these heads being taken from China once again.
Popular outrage and stern, indignant government
pronouncements proving to no avail, a knight in bronze armor
galloped up in the form of the Poly Group Co., a state-owned
holding company with fingers in such diverse pies as trade,
travel, real estate and information technology. The Poly Group
also collects and preserves Chinese antiquities, and last
December opened a museum in Beijing to showcase their
acquisitions. In an ingenious public relations coup, the Poly
Group shelled out over HK$30 million (US $3.8 million) to
purchase the three heads at auction.
Since then, the heads have been touring China on
exhibition, with Shanghai constituting the third stop. In and
of themselves, the heads do not, arguably, count as high art;
their import comes rather from their historic and symbolic
significance. Under the heading of "National Treasures Return
Home," the heads are accompanied by a Styrofoam reproduction
of Yuanmingyuan, flanked by photo exhibitions, one of enlarged
etchings of the original summer palace and documentation of
its history, the other highlighting the accomplishments of the
Poly Group. On exhibition at the Shanghai Stock Exchange
Building in Pudong from July 9 to 28, the bronze heads are
worth braving the throngs of school children for a poignant
reminder of both China's history and the powerful impact of
that history in the popular imagination.
National
Treasures Return Home
July 9 to 28
Shanghai Stock
Exchange Building
528 Pudong Nan Lu, First Floor
Phone:
6881-5566 x6017/6304
Hours: 9:30 AM to 4 PM
Admission is
free