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Shanghai Stage
Last Winter: A Mini-Drama with a Big Impact

Reviewed by Lisa Movius, Shanghai Editor

Ater its month-long premiere run in January 2000, Last Winter has become a local favorite, with a remake for TV and a sold out two day revival in December. The Shanghai Dramatic Arts Center will be presenting Last Winter for the third time from 22 to 24 February. Get your tickets now, as they'll go fast!
Address: 288 Anfu Lu
Tel: 6473-4567, 6473-0123
Price: Y80
Time: 7:15pm
Buy tickets On-Line!

The team behind the Shanghai Youth Theater's Last Winter jokingly labeled this latest play a "three virgin" production.  Playwright Yu Rongjun, stage designer Sang Qi, and actress Xue Jianing all make their debuts in Last Winter.  Losing their "virginity" in this tender, touching drama proved, in this instance, to be relatively painless.

Last Winter tells the story of Mr. Liu, an aging actor and professor, who lives alone in a large Shanghai flat.  His wife passed away two years before, and his only close friend, Lao Zhang, followed shortly thereafter.  His two adult children moved to the US, and they never call or write.  On the remembered advice of Lao Zhang, he reluctantly rents out his extra room.

Exploding into his life come Li Cheng and Bai Lan, a young, unmarried couple.  Both are what locals call "Countryside People," or outsiders without residence permits.  Lacking the coveted card, they are hard-pressed to find jobs or housing.  Bai Lan is young, naïve, and somewhat excessively pert recent college graduate.  She adoringly places the older, more sophisticated and more cynical Li Cheng on a pedestal.  The enterprising Li works for a Japanese company, which he hopes will facilitate his dreams of wealth and success, but his manager's intrusive demands on his time and energy increasingly become a wedge between Li Cheng and Bai Lan.

The couple's cycles of nesting and bickering shatter Mr. Liu's solitude and his routine.  He complains of his troubles in regular "phone calls" to Lao Zhang when (he thinks) no one is watching, even as he becomes increasingly dependent on the twosome. The play stresses the surrogate father-daughter relationship between Liu and Bai Lan, but the less examined brotherly camaraderie across generations between Li Cheng and Mr. Liu emerges as more interesting and more authentic.  Generational conflict and the tension between modern and traditional values are explored through the three-way interaction between Mr. Liu, Bai Lan, and Li Cheng.
 
A subtly poignant moment comes towards the conclusion, after the departures of Bai Lan and Li Cheng, as Mr. Liu is sucked back into a void of loneliness all the more acute after having been temporarily filled.  Liu wanders slowly around, straightening chairs and arranging various objects.

The highlight of the play was the powerful performance by veteran actor Xu Chenxian, one of Shanghai's most recognized and renowned actors.  Xu's capacity to infuse such feeling of repressed pain into the relatively simple role of Mr. Liu attests to his strong reputation. Ying Zuosheng, looking like a stoutish Andy Lau, was also strong as Li Cheng, fully communicating the character's superficial slickness underscored by profound insecurity.

Xue Jianing, in the role of Bai Lan, proved the lightweight of the three.  Last Winter is her first professional drama following numerous student productions.  Out of college just last year, Xue lacks the life experience necessary to convey a strong range and depth of emotion.  She managed Bai Lan's perkiness well, but moments of angst and crisis failed to convince.

The night I attended was dismally drizzly, and I didn't expect much of a turnout.  The small theater nevertheless filled almost to capacity.  Last Winter was billed as a "mini drama", meaning one act, about an hour and a half long, in a small space with a single set and a small cast and crew.  The format proved cozily intimate and appropriate for the personal melodramas of Last Winter.  The actors enounce with the clearest standard Mandarin I've ever heard, and foreigners with an intermediate or above level of Chinese should have no trouble following most of the dialogue.  Last Winter is definitely worth seeing, and we wish all the virgins many happy returns.

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